For centuries, the narrative has used a number of structures that have evolved along with cultural changes. This paradigm shift has led his own revolution in many languages. The most prominent has been the traditional TV series, which has grown to become the most interesting fictional narrative language by the quality of its writers, directors, actors and other creative and technical teams.
At this point, it is an ongoing debate about the true novelty of these structures and their quality. What are the precedents? How important is the quality of the examples? The truth is that shows like The West Wing , The Wire, The Sopranos or The Shield , Among others, have received rave reviews for each of its aesthetic elements, especially the narrative. Others, like Lost or Battlestar Galactica have gained significant media success with advocates and detractors. The debate is interesting and is being produced.
New or not, these stories have been developed so brilliant in certain ways to understand and work to build character, development of conflict, narrative time, the spatial symbology, visual aesthetics, the mechanisms of production, authorial identity and interaction with the receptor.
Each of these elements are integrated into a comprehensive study aesthetic concept in which the university should actively participate. With this symposium we bring our experience in narratological work to delve into these works, while enriching and disseminating their readings.
